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How To Have The Best Sex Humanly Possible!

at any age... even if you don't deserve it!



Dear Friend,

      If you are interested in having an absolutely incredible sex life, there is a new book (just published) that has the most exciting secrets you will ever read.

      But, here's a warning: Before you request your copy of the book, you better know some of the secrets revealed in it. You see, the author of the book doesn't want to embarrass anyone... or... make them feel uncomfortable in any way. So, if your deep religious beliefs, your ultra conservative upbringing or, if you have "personal reasons" against having great sex... you probably should NOT read this book.

      To help you decide if this book is for you or not, here are some of the secrets revealed in it:
  • The real reason why Prozac and Zoloft are so popular in this country! (Almost no one... not  even doctors... understands the startling sexual  implications.)
  • The single biggest sexual complaint women have about men!
  • The single biggest sexual complaint men have about women!
  • A dead "giveaway" which proves if a woman is faking her orgasms!
  • A brand new discovery (just approved by the FDA in February) which any man can use to instantly (and safely) boost his testosterone level! (Note: This will not only improve his sex life... but also... his overall health.)
  • A secret almost nobody (except a few, elite, very wealthy people) know about... which can lead to... a male having multiple orgasms)
  • A special place (and a special way) to touch a woman to guarantee mind-altering sex! (This technique is so simple... and... so little-known... even 75% of all women don't know about it.)
  • The two almost unknown secrets (one mental, one physical) men need to know to have rock-hard erections... at any age! (These are crucial secrets to improving a man's sex life forever.)
  • A scientifically-proven "aphrodisiac" which gently sends a woman's sexual desires into white-hot overdrive!
  • What lesbians know about oral sex which men don't... and... why more men today are losing their women to other women!
  • The single most important thing a woman can do to make herself more attractive to the opposite sex!
  • The single most important thing a man can do to make himself more attractive to the opposite sex!
  • Three sure-fire ways to tell if your spouse or "significant other" has had sex with someone else in the last 24-hours!
  • How any man can make all of his erections last longer! (This is one of the most jealously guarded discoveries of sex researchers who had been given almost unlimited research funding by their wealthy, pleasure-seeking patrons.)
  • Almost foolproof contraception: It's over 99% effective but... so new... most people have never even heard about it!
  • A male "pleasure trigger" accidentally discovered by medical doctors which... curbs premature ejaculation... and... increases the frequency and quality of male orgasms!
  • The number one rule which absolutely... must be observed... for women to have a truly spectacular orgasm!
  • An amazing secret just recently discovered which every man should know about how to... instantly... put his woman "in the mood"! (This works faster than anything else a man could ever do... and... women desperately want their man to learn this secret.)
  • A sex act which is impossible for most men (unless they know this one simple trick) which women rave about... and... often say "is more enjoyable than orgasms!"
  • A little known foreplay secret (only recently revealed by a world famous female sex therapist) that gives a man a foolproof method which makes certain his woman will have an explosive orgasm... every time they make love!
  • A perfectly normal (and healthy) sex act between a man and woman... once forbidden... by American psychiatrists... but... which they now admit... will dramatically increase the amount of great sex in a relationship!
      Let's take a short "breather." We'll get back to more of what this remarkable book will teach you in just a moment. But first, let's talk about why these secret sex techniques are so important.

      Right now, there are approximately 16,222,181 people in the world with full blown AIDS. Another 56,122,303 are HIV Positive. On a worldwide basis, most of these people did not become HIV Positive because they were drug addicts sharing needles... or... because they received it in a blood transfusion... or... because they were having gay sex. Believe it or not, 81% of worldwide cases of HIV and AIDS are caused by the simple act of a straight man having sex with a straight woman. That's why, if you are in a monogamous relationship or if you are married, it is more important than ever not to go outside your relationship for sex.

      Can you guess the biggest reason people cheat on their partners or commit adultery? It's very simple...

It's Because They Are
Bored With The Sex Life
They Have At Home!
 
       But, after you finish reading this book, there is no reason for you to ever be bored with your sex life again! Just to make sure you understand how true this statement is, following are a few more of the scorching secrets you will learn when you read this book:
  • An exclusive "pleasure map" with a "fingertip" guide to the 16 most sizzling "hot spots" on a woman's body... including... at least FOUR she probably hasn't discovered herself!
  • A secret "pleasure spot" on a man's body (it's like a male G-spot) which is so hidden away by nature... not one man in a thousand knows about it... and yet... it can produce awesome, shuddering waves of pleasure!
  • The thrilling "18-Hour-Plan" (developed by sex experts) which... no matter how fatigued you've been... or... how long you both have been in a rut... will reignite the passion between the two of you!
  • The six "tricks" which are a man's surest path to quickly increase his woman's "clitoral arousal" which is... the most certain way for a man to bring his partner's "foreplay clock" into sync with his!
  • The details about how sex researchers destroyed a dangerous sexual myth... and... why a woman does NOT need longer foreplay... if... the man who is her lover knows what he is doing!
  • What both men AND women need to know about PMS... and... how this knowledge will solve almost all problems caused by PMS!
  • Why "pick-up lines" almost never work... and... the ONE "almost magic" way to approach a woman which works nearly every time!
  • Why most couples miss out on the searing, hottest peak of their "love clock" during the day... and... why they never even realize it!
  • How to use the amazing "Bio Cure" created by noted sex researchers... which... is especially critical for busy parents!
  • Four incredibly easy ways a man can make sure he NEVER again has to worry about the erection problems 52% of all men (even those under 30 years old) report as their number one source of embarrassment!
  • Flirting secrets used by all women that 95% of men don't even recognize... and... how a man's life instantly gets ten times more exciting... when he does learn to recognize and understand these little-known secrets!
  • Casanova's Secret: He was the most famous lover in history and scientists have now discovered he actually did have a secret aphrodisiac (that can be made from natural foods)... which... has been proven to stimulate the "sex chemicals" in a woman's brain!
  • The one best way to win the true undying love of a member of the opposite sex!
  • What (and how) a man can learn about his woman's masturbation secrets... which will... supercharge HIS sex life!
  • A 15-minute change in the way you shower and dress which may very likely double your animal attractiveness to the opposite sex!
  • Ten things a man must know about a woman which guarantees he and she will have GREAT (not just good) sex!
  • A simple 3-second "trick" which 100% eliminates "performance anxiety" in men! (Note: This "trick" has been used for centuries by the most daring and successful men in the world.)
  • How to get into a deep, soul-pleasing rapport with your lover... and... stay there forever! (You will never feel alone again.)
  • Four little "target words" which can help you win your lover's heart forever!
  • How to guarantee your lover almost never stops thinking about you... and... how to make sure all those thoughts are supercharged with passion and white-hot, smoldering anticipation!
  • What 44% of women wish men knew about the easiest way to bring her to an intoxicating climax... every time!
      Are you starting to get the idea there are some things about great sex you have been missing? If so, don't feel alone. More than 99.9% of the world's population is completely ignorant of these "killer sex" secrets. But, you know what? We are not finished yet... not by a long shot. Here are yet more of the secrets revealed in this amazing book:
  • The 10 most common "clumsy mistakes" 90% of all men make during lovemaking... and... how to quickly learn the "inside secrets" of the most satisfied 10%!
  • A very important (but almost unknown) "trick" which will end "nagging" on both sides of a relationship... forever!
  • Why your fingernails might literally be ruining your love life!
  • What women really want from a man! (Nine out of ten men are absolutely floored by this secret... because... they didn't have the slightest clue.)
  • Why men almost always fail to understand a woman's "physiological signals" even after years of marriage! (Just learning this one secret will take your love life into another dimension.)
  • The only list anyone can trust about what really makes a man attractive to women! (Why can this list be trusted? Simply because... it was compiled by thousands of women.)
  • How often (on average) do men think about sex every day? How often do women think about sex every day? (Hint: The answers will astonish you.)
  • A "Last Stop" medical option for men with medical problems which prevent them from achieving an erection! (Doctors can now bring back full sex lives in 90% of cases.)
  • The single biggest turn-on of every woman... and... how a man who knows how to give it to her can use this simple "sure-fire" secret to enjoy devotion and love so deep and profound... most men can't even imagine it!
  • How to (at any age) make sex last all night long... and... experience the most intense, prolonged orgasms you've ever imagined!
  • The incredible "success patterns" which actually give physically unattractive men a HUGE romantic advantage over good-looking hunks!
  • A very rare fact: Men have three different kinds of orgasms... and why... most men are cheated from having the very best, most electrifying and satisfying one!
  • How to know what kind of win-or-lose "sexual chemistry codes" you are sending every time you kiss your lover!
  • The single most important thing a man can do to win a woman's love... forever!
  • Why women hate most porno tapes... but... you will learn the ultra-secret "wish list" of sex tapes women are literally devouring in private! (These secret videos seem to supercharge women with an intense, erotically-positive sexual energy.)
  • The two amazingly simple secrets (totally unknown by most men) which will cause "peak sexual excitation"... and... give men dramatically, longer-lasting orgasms!
  • Five secrets you need to know... if... you want to be able to kiss like a truly world-class lover! (This is the type of erotic foreplay more and more women are demanding men learn.)
  • The most important (and most little-known) quality a man MUST have if he wants to approach a truly desirable woman... and... have any chance of success! (Women will overlook everything else except this.)
  • What would you guess is the single most common... and... most devastating sexual problem among U.S. couples today? (You'll not only find out what it is when you read this book... you'll also learn... why experts have discovered it's the easiest problem to treat.)
  • How to achieve true, heart pounding intimacy which almost guarantees your relationship will last forever!
  • How a man can help his woman find her "G-spot" which is a hyper-sensitive (anatomically hidden) little pleasure point... most women never discover by themselves! (And will she ever love you for this.)
  • The amazing "Towel-Hanging" trick which triples the strength of a man's erections... and... allows him to experience "rocket-burst" orgasms which will give him (and her) pleasure almost beyond belief!
  • How to tell if a woman is really "turned on"... or... if she is just faking it! (Most men don't have a clue about what "signals" a woman can't stop sending out... which... always reveal the honest truth.)
  • The amazing new product created by a South Beach lesbian that almost instantly makes women crazy to have sex with males...or females.  (Some people think this product should be illegal!)

      OK, You've just read a fairly complete description of what you will learn when you read this remarkable book.  It only costs $37...and...it is guaranteed to change your life forever.  That's why it comes with a 100%, Iron-Clad Money-Back Guarantee.

      This book is called "Killer Orgasms: How to Have The Best Sex Humanly Possible" ...and...you can download it and be reading it in the next seven minutes.

Never underestimate the power of the perfect kiss. Get it right, and the rest will fall into place.

It has been theorized that a woman decided within five minutes of meeting a man whether or not she will have sex with him. Possibly true, but there is one catch. Most women I know, myself included, may initially decide we'll have sex with a guy, but when we find out he's a bad or a mediocre kisser, we change our minds entirely. We decide we will never have sex with this guy. He won't even get asked for a nightcap, much less for breakfast the next morning. As our lips part while we stand on the doorstep, we will announce that we have an early-morning meeting or (if you were really awful) that we're actually already married to someone else.

Learn how to kiss a girl:
What we will never, ever say is, "God, you're a lousy kisser. I was going to have sex with you until just this moment." This is one of the ways in which men and women differ. If a man is very attracted to a woman but discovers she's a bad or mediocre kisser, he'll probably have sex with her anyway if presented with the opportunity. A woman can't get past a bad kiss. (Unless, of course, she's a horrible kisser herself, but we're not talking about those women here.) Experience has shown most women that a bad kiss only spells trouble down the road, so to speak. After all, if he hasn't mastered kissing and fails to see its sensual possibilities, what hope is there for, ahem, anything else? 

The disappointment of a bad kiss is a recurring topic of discussion among a group of single women I run with in the park several times a week. "It turns into a fabric softener thing," says Nora, a blond from Dallas, when describing the previous night's date. "You know, where the guy kisses you and it's so bad but you've got to finish it up so your mind wanders and you start wondering if you have enough fabric softener to do two loads of laundry the next day?" She laughs. "So I'm thinking about that, and the guy says, "Wow! You're very passionate."
Oh, the egos we would crush if men could hear the post-mortems. If any guys happen to be running with us, they immediately demand to know what exactly constitutes a bad or good kisser. So we tell them about the all-purpose litmus test: A bad kisser, reguardless of whether he likes to secrete a gallon of drool or waggle his head like a dog menacing a bone, seems to be simultaneously thinking: " When can we get to step two? And three and four? Is she aroused yet? can I put my hand on her breast now?" He sees kissing as the next step on a carnal quest. The good kisser, however, sees the kiss as the destination itself. He kisses as if he will never do anything else with this woman, as if he never wants to do anything else with this woman. He kisses as if this is what he's been dying to do for years and he wants to savor every moment. I guarentee you that this is when the woman decides there will be other activities on the agenda.
The first thing to remember: When in Doubt, Go Slowly. make that first kiss slow and gentle and easy. While you may want to demonstrate that you're a cauldron of seething desire, save that for later, when you're both sufficiently warmed up. In the meantime, resist the urge to mash your face against hers so hard your teeth collide and she ends up with brush burns from your stubble. One woman in our running group actually passed out during a particularly bad kiss of this sort, when the man pressed his face to hers so tightly he blocked off her nose with his cheek, mistook her thrshing for passion, and suddenly felt her body go limp. "i was out for maybe thrity seconds," she says. "Fortunately, he had me in a bear hug, so I didn't hit the group. Of course, he thought I passed out because the kiss was so good." This is what's known as the Harrison Ford School of Making Out. Watch him in the movies,a nd watch his costar's face get twisted out of shape from the sheer force. this is also why they're panting afterward. It's not from desire, it's oxygen deprivation. So the second thing to remember while kissing is to make sure she can still breathe through her nose.

There are other movie stars who perpetuate bad kissing styles. There's the Tom Cruise Method (as seen in Top Gun), whereby his tongue is already slithering out before he's met her lips. This is also referred to as the Lizard-King Style, and once lip-locked, it may also feature the rather grotesque tongue-insterted-rapidly-in-and-out. Most women do not cherish the idea of kissing a large anaconda, which is what this must be similar to. Equally unappealing is when the guy's tongue seems to be on a thorough search for any food trapped between the woman's molars. This is her tongue's job, not yours. The only response possible is for the woman to open her mouth wide and remain motionless while he finishes his routing, a posture that calls to mind trips to the dentist.
 Like good sex and great dancing, any tongue action should involve a give-and-take, with both parties allowed the opportunity for interaction in a saliva-laden minuet. Get into a groove with this, and every now and then you may want to stop for a short time while still joined at thelips. Like being on a dance floor and suddenly holding your partner motionless, it can have the galvanizing effect of heightening the sensation. this is ideally practiced in places like a dark booth in a dive bar with a great jukebox. Just make sure your sleeve doesn't catch fire from the candle on the table.
So although no one wants a tongue completely jammed down her throat, neither do we want its exact opposite, as favored by Woody Allen, one of the screen's all-time-worst kissers. Check out the last scene in Hannah and Her Sisters, and you'll see him pecking away at Dianne Wiest. This Road-runner-eats-birdseed style of dry, repeated kisses accompanied by inordinately loud smacky sounds is not what any woman fantasizes about--even if she's weird enough to fantasize about kissing Woody Allen. The occasional smacky sound is inevitable and can exciting, but go easy on the moaning and groaning. Its sounds fake at best and, at worst, like an unconscious habit, like tuneless whistling.
Daniel Day-Lewis belongs in the kissing hall of fame for Best Use of Hands. He gently caresses his costar's face and touches her hair, a model of how hands can increase the erotic pleasure of the moment. Bear in mind the hands should not be used to prevent the woman from going anywhere or to clamp her head into one uncomfortable position. Remember most women like men to toy gently with their hair. After decades of bad press about sticky hairsprays and helmet hair, most of us have been using products to enhance "touchability" and are favoring hairstyles that look good a bit tousled. So go ahead and touch hair. And quit using all that sticky hairspray and goo so we can go back to touching yours.

Learn how to kiss a girl: Learn how to kiss a girl:It has been theorized that a woman decided within five minutes of meeting a man whether or not she will have sex with him. Possibly true, but there is one catch. Most women I know, myself included, may initially decide we'll have sex with a guy, but when we find out he's a bad or a mediocre kisser, we change our minds entirely. We decide we will never have sex with this guy. He won't even get asked for a nightcap, much less for breakfast the next morning. As our lips part while we stand on the doorstep, we will announce that we have an early-morning meeting or (if you were really awful) that we're actually already married to someone else.
Learn how to kiss a girl:
What we will never, ever say is, "God, you're a lousy kisser. I was going to have sex with you until just this moment." This is one of the ways in which men and women differ. If a man is very attracted to a woman but discovers she's a bad or mediocre kisser, he'll probably have sex with her anyway if presented with the opportunity. A woman can't get past a bad kiss. (Unless, of course, she's a horrible kisser herself, but we're not talking about those women here.) Experience has shown most women that a bad kiss only spells trouble down the road, so to speak. After all, if he hasn't mastered kissing and fails to see its sensual possibilities, what hope is there for, ahem, anything else?
To be continued as below...
Before you can get the beautiful girl, you have to make the girl you love, fall in love with you. I have found the tightly guarded secrets that can make your dream come true. That is called GuyGetsGirl... I highly recommend it. See what you think...     GuyGetsGirl

 
The disappointment of a bad kiss is a recurring topic of discussion among a group of single women I run with in the park several times a week. "It turns into a fabric softener thing," says Nora, a blond from Dallas, when describing the previous night's date. "You know, where the guy kisses you and it's so bad but you've got to finish it up so your mind wanders and you start wondering if you have enough fabric softener to do two loads of laundry the next day?" She laughs. "So I'm thinking about that, and the guy says, "Wow! You're very passionate."
Oh, the egos we would crush if men could hear the post-mortems. If any guys happen to be running with us, they immediately demand to know what exactly constitutes a bad or good kisser. So we tell them about the all-purpose litmus test: A bad kisser, reguardless of whether he likes to secrete a gallon of drool or waggle his head like a dog menacing a bone, seems to be simultaneously thinking: " When can we get to step two? And three and four? Is she aroused yet? can I put my hand on her breast now?" He sees kissing as the next step on a carnal quest. The good kisser, however, sees the kiss as the destination itself. He kisses as if he will never do anything else with this woman, as if he never wants to do anything else with this woman. He kisses as if this is what he's been dying to do for years and he wants to savor every moment. I guarentee you that this is when the woman decides there will be other activities on the agenda.
The first thing to remember: When in Doubt, Go Slowly. make that first kiss slow and gentle and easy. While you may want to demonstrate that you're a cauldron of seething desire, save that for later, when you're both sufficiently warmed up. In the meantime, resist the urge to mash your face against hers so hard your teeth collide and she ends up with brush burns from your stubble. One woman in our running group actually passed out during a particularly bad kiss of this sort, when the man pressed his face to hers so tightly he blocked off her nose with his cheek, mistook her thrshing for passion, and suddenly felt her body go limp. "i was out for maybe thrity seconds," she says. "Fortunately, he had me in a bear hug, so I didn't hit the group. Of course, he thought I passed out because the kiss was so good." This is what's known as the Harrison Ford School of Making Out. Watch him in the movies,a nd watch his costar's face get twisted out of shape from the sheer force. this is also why they're panting afterward. It's not from desire, it's oxygen deprivation. So the second thing to remember while kissing is to make sure she can still breathe through her nose.
To be continued as below...
How To Turn the Girl on Like Crazy?  Seduce the girl you desire today. Discover how to effortlessly guide her thoughts to a mind state of sexual desire using a system that no one is talking about! Super Sex Power

There are other movie stars who perpetuate bad kissing styles. There's the Tom Cruise Method (as seen in Top Gun), whereby his tongue is already slithering out before he's met her lips. This is also referred to as the Lizard-King Style, and once lip-locked, it may also feature the rather grotesque tongue-insterted-rapidly-in-and-out. Most women do not cherish the idea of kissing a large anaconda, which is what this must be similar to. Equally unappealing is when the guy's tongue seems to be on a thorough search for any food trapped between the woman's molars. This is her tongue's job, not yours. The only response possible is for the woman to open her mouth wide and remain motionless while he finishes his routing, a posture that calls to mind trips to the dentist.
 Like good sex and great dancing, any tongue action should involve a give-and-take, with both parties allowed the opportunity for interaction in a saliva-laden minuet. Get into a groove with this, and every now and then you may want to stop for a short time while still joined at thelips. Like being on a dance floor and suddenly holding your partner motionless, it can have the galvanizing effect of heightening the sensation. this is ideally practiced in places like a dark booth in a dive bar with a great jukebox. Just make sure your sleeve doesn't catch fire from the candle on the table.
So although no one wants a tongue completely jammed down her throat, neither do we want its exact opposite, as favored by Woody Allen, one of the screen's all-time-worst kissers. Check out the last scene in Hannah and Her Sisters, and you'll see him pecking away at Dianne Wiest. This Road-runner-eats-birdseed style of dry, repeated kisses accompanied by inordinately loud smacky sounds is not what any woman fantasizes about--even if she's weird enough to fantasize about kissing Woody Allen. The occasional smacky sound is inevitable and can exciting, but go easy on the moaning and groaning. Its sounds fake at best and, at worst, like an unconscious habit, like tuneless whistling.
Daniel Day-Lewis belongs in the kissing hall of fame for Best Use of Hands. He gently caresses his costar's face and touches her hair, a model of how hands can increase the erotic pleasure of the moment. Bear in mind the hands should not be used to prevent the woman from going anywhere or to clamp her head into one uncomfortable position. Remember most women like men to toy gently with their hair. After decades of bad press about sticky hairsprays and helmet hair, most of us have been using products to enhance "touchability" and are favoring hairstyles that look good a bit tousled. So go ahead and touch hair. And quit using all that sticky hairspray and goo so we can go back to touching yours.
 


Finally, I offer this suggestion: Try opening your eyes. I once cautiously opened my eyes while kissing and saw a pair of brown eyes staring back at me, which made the kiss even better because it became more intimate. Some people find this to be an impossible task (like sneezing with your eyes open), but while the prevailing belief is that we must try to block out all other sensations, you may find that kissing with your eyes open is the sensual equivalent of making love with the lights on. And if you're going to be kissing for several hours in a make-out bar, it's a good idea to peek periodically at the where-abouts of your drinks, her purse, and your wallet.



 

Learn How to French Kiss

learn how to french kiss
This is the most popular type of kiss. This involves touching your tongue with your partner's and it can be quite a pleasant experience. There are a few tips to create a great French kiss.
Learn how to french kiss:
Relax - You lips should be relaxed, you body should be relaxed, otherwise it will be like kissing a dead fish for the other person.  There are only two things involved in a French kiss:  your lips and your tongue.  That's it!
Open Lips - Your lips should be slightly parted, not open wide like you're at the dentist.  Open them just far enough, just like you are regularly breathing through your mouth.
Positioning - Do not have your face dead on to his/hers, otherwise your noses will touch.  You want to move your head to one side just enough so your nose is out of the way of theirs.  If you think about it then, with your head tilted one way and his the other way, your mouths will not reach dead on.  Your mouths will meet at the corner of the other's mouth.  It will look like the above picture:
If you look closely at the picture, you will see that their noses will actually touch the cheek of the other person.  Their lips have already touched.  When you touch the other person's lips and you stretch your tongue out a bit, your mouths will instinctively open as much as the couple in the picture.

Tongue - Practice on your own if you'd like.  Open your mouth enough (while you're by yourself of course!) just enough to stick a bit of your tongue out.  It will go past your teeth.  Don't stick your entire tongue out... just an inch or two.  That is how far you should stick your tongue out in a kiss.  So your tongue will go into their mouth and theirs will go into yours.  When this happens, both of your tongues will touch.  Then just circle the tip of your tongue around the tip of theirs.  If they do something different (because you have to remember that everyone kisses differently so some may move their tongue around a bit differently) then just do the same as they do.  They may flick their tongue over yours and you can do the same.  Or they explore the inside of your mouth with their tongue, do the same thing!  Or you can just lightly touch their tongue while they are exploring.  The best thing is to NOT just leave your tongue doing nothing.
As for movement of the head, that is entirely up to you.  Some people will move their heads very slightly in a small circular motion or figure eight.  Sometimes they won't.  Sometimes just one person moves their head and the other doesn't.  It's totally up to you.
You may explore different ways of using your tongue. Try running the tip of your tongue over your partner's lips. Do this slowly and gently, just using the tip of your tongue.

First kiss how to - I

We get so many questions from readers who are anxious about their first kiss.  This is understandable since anything that is unknown can be scary.  We've all seen people kiss, either in movies, TV shows or in real life.  But how exactly is it done?  How do you get over the nervousness?  These questions and more will be answered on this page about The First Kiss.
first kissing tips for teens:
One note, though.  In order to experience a truly wonderful first kiss, it must be done with someone you really care about.  Someone whom you've been thinking about day and night.  Someone who makes your heart beat faster.  Otherwise it's just another kiss and that is boring.  So do not kiss someone just to say you've been kissed.  Kiss someone that really means something to you.
When Is The Best Time For A First Kiss?
The best time is when the two of you are saying good-bye.  This is probably the easiest and most comfortable because it's usually the time when a kiss is expected.  It is OK to kiss someone on the first date.  This shows that you really enjoy being with this person and want to see them again.  But it's not absolutely mandatory that you kiss on the first date. If you miss the opportunity during the first date, definitely make an effort by the second, or at the latest the third.  If after that you still haven't kissed then the other person may wonder if you really enjoy being with them.  Also, make sure that the two of you are alone to have some privacy during this exciting moment, with no distractions or interruptions.

How Will I Know If That Person Wants To Be Kissed?
You can usually tell by how well the date is going. If there was flirting involved and a sense of romance or passion in the date, then by all means go for it.  But if things are matter of fact and the other person seems a bit disinterested in the whole thing, then I would wait until the second date.  Also, if there is lots of eye contact and closeness between the two of you, this is a good sign that the other person would like to be kissed.
What Type Of Kiss Should We Use The First Time?
I would suggest starting off slowly.  You don't want to scare them away the first time with a lot of tongue and saliva.  You want the kiss to be gentle yet exciting.  You can do this by approaching with a close-mouthed kiss or a tongueless kiss.  Let the kiss be gentle and let it linger.  Let the other person yearn for more so that they will be in dire need of another kiss from you the next time the two of you are together.
Will The Other Person Know It's My First Time?
Not at all.  Because everyone has a different style and way of kissing.  Also, some people are more into strong, passionate kisses while others prefer to start off gently.  You won't know what style that person has until you've kissed them a few times, and vice versa.  Also, once you've kissed someone a few times your kisses start to meld together, meaning that your styles start to intertwine with one another's.  That especially happens when one person didn't realize it was enjoyable to kiss a certain way until they tried it with that person.  So then they change their style to this new technique.
How Do I Approach The First Kiss?
This can be done in one of two ways.  You can either just do it or you can ask/demand a kiss.  Asking for a kiss is gentlemanly but not romantic.  After the date is over, when the two of you are alone, tell her/him what a good time you had.  Then say something like, "Is it OK if I give you a kiss good-bye?"  Of course the other person will know what to expect but it's not very romantic.
But you can demand a kiss.  You can say something like, "I'd like to kiss you goodnight" or something along that line.  More appropriate I believe.
Just doing it is the best and most romantic way of having the first kiss.  It shows that you have enough feelings for that person that you just HAVE to kiss them!  The best approach for this is the slow and gentle approach.  You're standing in front of them as you're saying good-bye.  Then take a step or two towards them, hold their hands in yours and lean towards them.  Then give them a gentle, lingering, close-mouthed kiss.  An even more romantic approach is to cup their face in your hands.  This is extremely exciting when the guy does this to the girl.


We get so many questions from readers who are anxious about their first kiss.  This is understandable since anything that is unknown can be scary.  We've all seen people kiss, either in movies, TV shows or in real life.  But how exactly is it done?  How do you get over the nervousness?  These questions and more will be answered on this page about The First Kiss.
first kissing tips for teens:
One note, though.  In order to experience a truly wonderful first kiss, it must be done with someone you really care about.  Someone whom you've been thinking about day and night.  Someone who makes your heart beat faster.  Otherwise it's just another kiss and that is boring.  So do not kiss someone just to say you've been kissed.  Kiss someone that really means something to you.
When Is The Best Time For A First Kiss?
The best time is when the two of you are saying good-bye.  This is probably the easiest and most comfortable because it's usually the time when a kiss is expected.  It is OK to kiss someone on the first date.  This shows that you really enjoy being with this person and want to see them again.  But it's not absolutely mandatory that you kiss on the first date. If you miss the opportunity during the first date, definitely make an effort by the second, or at the latest the third.  If after that you still haven't kissed then the other person may wonder if you really enjoy being with them.  Also, make sure that the two of you are alone to have some privacy during this exciting moment, with no distractions or interruptions.
To be continued as below...
Before you can get the beautiful girl, you have to make the girl you love, fall in love with you. I have found the tightly guarded secrets that can make your dream come true. That is called GuyGetsGirl... I highly recommend it. See what you think...     GuyGetsGirl

How Will I Know If That Person Wants To Be Kissed?
You can usually tell by how well the date is going. If there was flirting involved and a sense of romance or passion in the date, then by all means go for it.  But if things are matter of fact and the other person seems a bit disinterested in the whole thing, then I would wait until the second date.  Also, if there is lots of eye contact and closeness between the two of you, this is a good sign that the other person would like to be kissed.
What Type Of Kiss Should We Use The First Time?
I would suggest starting off slowly.  You don't want to scare them away the first time with a lot of tongue and saliva.  You want the kiss to be gentle yet exciting.  You can do this by approaching with a close-mouthed kiss or a tongueless kiss.  Let the kiss be gentle and let it linger.  Let the other person yearn for more so that they will be in dire need of another kiss from you the next time the two of you are together.
Will The Other Person Know It's My First Time?
Not at all.  Because everyone has a different style and way of kissing.  Also, some people are more into strong, passionate kisses while others prefer to start off gently.  You won't know what style that person has until you've kissed them a few times, and vice versa.  Also, once you've kissed someone a few times your kisses start to meld together, meaning that your styles start to intertwine with one another's.  That especially happens when one person didn't realize it was enjoyable to kiss a certain way until they tried it with that person.  So then they change their style to this new technique.
How Do I Approach The First Kiss?
This can be done in one of two ways.  You can either just do it or you can ask/demand a kiss.  Asking for a kiss is gentlemanly but not romantic.  After the date is over, when the two of you are alone, tell her/him what a good time you had.  Then say something like, "Is it OK if I give you a kiss good-bye?"  Of course the other person will know what to expect but it's not very romantic.
But you can demand a kiss.  You can say something like, "I'd like to kiss you goodnight" or something along that line.  More appropriate I believe.
Just doing it is the best and most romantic way of having the first kiss.  It shows that you have enough feelings for that person that you just HAVE to kiss them!  The best approach for this is the slow and gentle approach.  You're standing in front of them as you're saying good-bye.  Then take a step or two towards them, hold their hands in yours and lean towards them.  Then give them a gentle, lingering, close-mouthed kiss.  An even more romantic approach is to cup their face in your hands.  This is extremely exciting when the guy does this to the girl.


How Long Should A First Kiss Last?
A first kiss should only last a few moments.  Don't worry about the exact time.  Once your lips have touched the other person's lips then give it a few seconds and end the kiss.  To end the kiss just gently close your mouth and pull away gently.
If you get carried away and find that you've lost track of time and the kiss is still continuing then that is OK.  As long as the other person is reciprocating in the kiss the kiss can continue for as long as you wish.


Steven Bernstein's Sex Mob: Exposed!

The Lower East Side of Manhattan can be a brazenly incongruous place. Crumbling tenement buildings house low-lit cocktail lounges. Bodegas brush against boutiques. Synagogues and sweatshops mark the loose threads of an urban fabric, roughshod and unresolved. It’s a zone where hipness is well-tended and history crops up underfoot.
In other words, it’s a perfect setting for Sex Mob, the rogue outfit that has, by force of personality and persistence, managed to bring the whole spectrum of America’s music into a provocative and loose-limbed embrace.
On two rain-streaked days in December, that embrace went live to tape at Loho Studios, just a few blocks from Tonic, the band’s second home. The occasion was Sex Mob’s fourth studio recording, but toward the end of the run it felt more like an open-ended hang. Critics, musicians and friends mingled in the studio lounge at ease—not a difficult task, with Miles Davis on the stereo and beers in the fridge. In the control room, bandleader/trumpeter Steven Bernstein posed for a snapshot holding a plaque: Sex Mob's “Beyond” group of the year distinction in the 2002 Down Beat critics’ poll. Then he slipped out to the kitchen and loaded a paper plate with Chinese takeout, scatting Miles’ solo on “Trane’s Blues.”
Before long the session reconvened. Bernstein put his slide trumpet aside to grab a mellophone; fellow Mobsters Briggan Krauss, Tony Scherr and Kenny Wollesen manned their stations on baritone saxophone, bass and drums, respectively. Nearly a dozen guests joined the ranks—on Wurlitzer, tuba and various other horns—giving Studio A the feel of a high school band room. From the center of the floor, free-jazz luminary Roswell Rudd clutched his trombone. Beside him, Bernstein surveyed the troops.
“You guys ready to make a march?” he asked, in the let’s-go tone of an offensive coach. “We’ll improvise. Roswell’s in charge.” By way of response, Rudd issued a tremendous blurting sound from his horn.
There was a pregnant pause—that heavy silence before tape begins to roll. Someone said: “I’ve never done a march before.”
“There’s always a first time,” Bernstein replied. Another pause. “That’s what this band is about, right?”
Moments later the room erupted into lurching cacophony, as the ragtag ensemble played a march unhindered by key or theme. The studio’s seven horns worked with and against each other, shifting shapes and tonalities along the way. Sonically it was like a Federico Fellini dream sequence, or a mushroom-tripping Salvation Army band.
The next take, momentarily christened “Three-Minute Rainforest,” went even further afield. Rudd and Bernstein grabbed Haitian Rara horns; others played mouth organs, shakers, slide didgeridoos. In the control room, engineer Scott Harding wheeled around the soundboard, flipping switches and turning dials. The music coming through the speakers was ambient soup, but it gradually built to a climatic frenzy. At which point someone nudged Harding and pointed out Scott Robinson through the glass. Robinson had swapped his slide saxophone for an even less-conventional instrument. Harding looked up and shook his head. “This cat’s playing the fucking Down Beat plaque.”
The whole scene brought back something Rudd had observed during the session break. “The openness is there,” he’d said. “The possibility for unknown things to happen. That’s the beauty of Sex Mob.”
For a particular cross-section of New Yorkers, Sex Mob embodies the sound of Downtown: insistent, elastic, unrepentant, unfazed. The deconstruction of familiar themes has long been a band trademark—and unquestionably a key reason for the Mob’s notoriety beyond the standard jazz crowd. Din of Inequity (Knitting Factory), the band’s 1998 debut, included fare by Prince and the Beatles; more recently there was the self-descriptively titled Sex Mob Does Bond (Ropeadope).
But Sex Mob started out in 1995 with a repertoire of a different sort. Bernstein, who had been asked to put together a late-night house band for the Knitting Factory’s Tap Bar, conceived the group as a modern-day version of the New York Art Quartet—the short-lived but legendary free-jazz unit cofounded in the mid-’60s by Roswell Rudd. It was in this progressive spirit that the group first coalesced—routinely playing with fire, and with a rotating cadre of guests.
“The original Sex Mob stuff always ended up with like 13 people in the little Tap Bar,” Bernstein explains a couple of months after the session. The trumpeter has arranged a band dinner (sans Wollesen, who’s on tour) at a restaurant in Chinatown, on the far fringe of the Lower East Side. “We were really out. We had no record; we were just going for it. And that’s really what that session felt like: just this thing that erupted and happened. It kind of captured that feeling, I thought.”
Sex Mob has always pursued “that feeling,” regardless of the material. But it would be disingenuous to claim that the material makes no difference. The band’s first brush with pop tunes came at the Tap Bar, after playing a Bond theme that provoked huge audience response. Bernstein began slipping more covers into the book—although notably, Louis Armstrong was just as prominent an addition as Sly and the Family Stone. Eventually there was also ABBA, Nirvana, the Grateful Dead and the “Macarena.”
The fact that this has become the primary feature of Sex Mob’s public identity is a matter of small annoyance to the group. “Everyone says Sex Mob’s a cover band,” Bernstein says. “Yeah, that’s part of what we do. But I don’t think we play ABBA’s [‘Fernando’] as a silly cover. I think it’s a beautiful melody. And I may make a joke in the middle of it, during one part, because I want everyone to laugh. But when it comes time to play that melody, I’m not fucking around, man. I could play that melody a lot more honestly than I could play ‘’Round Midnight.’ When I play ‘’Round Midnight’ I’m thinking about Miles Davis; I’m not thinking about me. And it’s like: ‘I’m not Miles Davis, man.’ So I always feel kind of dishonest when I play a song like that. Because I don’t know what that song has to do with me. But when I play that ABBA song, that feels like something.”
Besides, he says, “They didn’t call Count Basie a cover band, but how many Count Basie songs did Count Basie play? They didn’t call Louis Armstrong a cover band. They didn’t call Miles a cover band; how many Miles Davis songs did he play in the set? They didn’t call ’em cover bands—they were bands. We’re just a band.”
Dime Grind Palace (Ropeadope), the first official Sex Mob album not to feature pop songs, seems an especially purposeful demonstration of this point. Given the improvisational focus, the original compositions and the cavalcade of guests, the record signals a return to the fundamentals, a dramatic full-circle sweep. Whether laying down a soul groove or a Viennese waltz, the band stays true to its calling.
“There’s very definitely a language and a sensibility behind [Sex Mob] that’s years deep,” offers bassist Tony Scherr, between spoonfuls of chili pepper soup. “It’s not a jam band, and it’s not a free-for-all. More than anything, it’s a sensibility. It’s usually pretty joyful. It’s not technical for technical’s sake—but not stupid for stupid’s sake either. There are plenty of moments where we’re just knuckleheads, but somehow there’s beauty in it, to my ear.”
In making the new record, Bernstein adds, he focused on the band aesthetic. “I spent a month writing music before the recording. I took some stuff, did my impression of the Sex Mob language and tried to capture that vibe. A lot of really funky, late-at-night….” He coughs, pauses, and shakes his head. “This soup is pretty potent, man,” he croaks. Coughs again. “Could be healthy, though.”
It’s tempting to cast the Sex Mob style as a tug-of-war between traditional and experimental urges. What undermines the analogy is the fact that there’s no conflict at the heart of their eclecticism. History touches even the group’s way-out excursions; their transgressions seldom come without a note of homage. And given the band’s lineage, this makes a certain kind of sense.
Bernstein grew up in Berkeley, Calif., and began playing jazz in elementary school, thanks to a pioneering program founded by jazz advocate Herb Wong and implemented by educator Phil Hardymon. There he met saxophonist Peter Apfelbaum; in junior high they played together in the Berkeley Free Jazz Unit, a group Apfelbaum had patterned after the Art Ensemble of Chicago. After high school, Bernstein headed east: to New York University, various gigs and the tutelage of seasoned big band and session trumpeter Jimmy Maxwell.
He also fell in with the renegade movement spearheaded by the likes of John Zorn, the Lounge Lizards and the Microscopic Septet. Characterized by high-energy performances, bold stylistic juxtapositions and guerilla sensibilities, these and other groups set the stage for the Downtown subculture from which the Knitting Factory, and later Tonic, would arise. Bernstein had in a sense been primed for this, and he quickly became a fixture on the scene. It’s been over two decades since Bernstein first tapped into that energy, but he still seeks it out—cultivates it, in fact. That rough immediacy, somehow perpetually fresh, is the most striking attribute of Sex Mob.
At the same time, Bernstein is a self-avowed jazz geek, with all the trappings and trimmings. His other active group, the Millennial Territory Orchestra, plays ’20s and ’30s numbers—by Preston Jackson, Buster Moten and Stuff Smith—with earnest, madcap zeal. (They also cover Stevie Wonder and John Lennon, a fact once again indicative of Bernstein’s canonical breadth.) The only thing missing from their interpretation is the stultifying museum-piece veneration endemic to most repertory projects. Bernstein courted a similar reverent irreverence when asked to coach an all-star period-piece band in the Robert Altman film Kansas City. More recently, tapped by Zorn for Tzadik’s Radical Jewish Culture series, Bernstein came up with Diaspora Soul, a careful calibration of Jewish themes and Gulf Coast grooves; and Diaspora Blues, a free-flowing session featuring saxophone legend Sam Rivers. In that same time period, Sex Mob fulfilled commissions for the Donald Byrd Dance Company (playing arrangements of Duke Ellington) and an Hourglass Group revival of the 1926 Mae West play Sex (old-timey burlesque fare).
Even Bernstein’s choice of instrument reflects the marriage of Downtown urges and an aficionado’s yen. The slide trumpet, or soprano trombone, is itself a piece of arcana: although used occasionally in jazz’s early days, the instrument went from novelty to obscurity, where it remained until Bernstein took it on. (“I hope you realize that the Sex Mob album is the first album in recorded history to feature the slide trumpet,” he wrote in a Web journal after Din’s release. “You can start a new section in your collection.”) The history buff in Bernstein is undoubtedly happy to have brushed away these cobwebs, finding a surefire way to distinguish his instrumental voice. And of course, there’s the instrument’s look-at-me factor, both a signature and selling point. When Bernstein formed his house band, it was partly as a showcase for the trippy horn; he almost called it “Slide Mob.”
Bernstein isn’t the only member of the Mob with both a jazz pedigree and a reach beyond. As a teenager, Tony Scherr played bass in the Woody Herman Orchestra; he also played guitar with his brother in a garage-rock band. Briggan Krauss “grew up in a really jazz-oriented house,” by his own estimation, even as he soaked in Seattle grunge. And Kenny Wollesen hails from a background as varied as his marathon discography would suggest. Outside of Sex Mob, the players pursue other passions. Krauss often dwells in thoughtfully experimental ambient music; among his recent unreleased gems is Lensing, a polyphonic suite for octet. Scherr fronts a sort of indie alt-country band featuring his original tunes; his self-produced debut Come Around, released last year on Smells Like Records, conveys a gritty but endearingly earnest aura. Wollesen is a founding member of the New Klezmer Trio and a dizzyingly prolific accompanist. He and Scherr also work together as an itinerant rhythm section, most visibly for guitarist Bill Frisell. They’re one half of the Ferdinandos, a folk-rock group led by the soft-spoken troubadour Jesse Harris, of Norah Jones songwriting fame. And speaking of Jones, she’s part of their circle too; they played on most of her auspicious Blue Note debut.
Sex Mob pulls all of these strands together in a tangle. There’s common ground for Bernstein’s wise-guy antics and Krauss’ brooding intensity; for the Tony-Kenny tag team and the radical repertory approach. “As much as it’s the music,” Bernstein says, “it’s the guys playing the music that makes it what it is.”
Although it serves as both reclamation and State of the Union, Dime Grind Palace doesn’t seem laden with an agenda. This is a direct result of the freewheeling Loho environment—and the work that went into the postgame splice. “As a producer I often find that I’m waiting for that moment of inspired wrongness,” says Harding (aka Scotty Hard), who has engineered every Sex Mob record; his credits also include discs by that other avant-groove outfit, Medeski Martin & Wood, as well as many hip-hop and dub releases. Harding didn’t have to wait long for chaotic inspiration this time; it was all over the place. During one set break in Studio A, Rudd offered his elliptical summation of the session. “You get this tremendously extroverted thing,” he said, “at the same time that you have this very mindful thing going on. And when you put that together, you have a human being, basically. So that music is like an organism. It has life: it gets up, walks around the room, gets into everybody else’s body. When you walk out the door into the street, there it is. It’s like another person, greater than the combination of all of us. So we’re in that stream. We’re all connected here.”
Bernstein had purposefully left the band in the dark until they were ready to record, and even then there were the unknown factors of Rudd and the other guests. Everyone understood that they’d be mostly cutting first or second takes. “There were a lot of disparate things going on,” Harding recalls. “I was just like: ‘Yeah, it’ll be fine, let’s just do it.’ And we got through it but at the end of all that, it was like: ‘Hmm. Gee, how are we going to put all this stuff together and have it make sense?’“
To Harding’s credit, the finished product not only makes sense but also offers smooth transitions and a consistent energy. The band does everything from free-bop to slow-groove to merry-go-round, with Johann Strauss’ “Blue Danube” thrown in for kicks. There are a few other covers, as well, but only the jazz variety: Count Basie’s “Blue and Sentimental,” Herbie Nichols’ “Twelve Bars,” Professor Longhair’s “Baby Let Me Hold Your Hand.” And with “Norbert’s Weiner,” Rudd contributes a waltz of his own. Throughout the album, regardless of added voices or studio tweaks, a simple but focused intensity emanates from the ensemble’s four-piece core. It’s the sound of Sex Mob, on a wire as usual: in the studio but unquestionably playing live.
Months after the recording, in late April, they find themselves doing so again—at Tonic, the converted kosher winery that succeeded the Knitting Factory as Sex Mob’s main stage. The band, once a late-night Friday staple, hasn’t played here in a while. (“It was getting too crowded,” Bernstein explains. Scherr clarifies: “They couldn’t afford security anymore, is what he’s trying to say.”) In fact, the room is still filling up when Scherr kicks off a droney bass line and Wollesen does his backbeat thing. Soon Bernstein and Krauss are sparring at the frontline, over an ad hoc soul rumination that morphs into an Ellington theme. Later on, tuba player Marcus Rojas, from the on-hiatus trio Spanish Fly, and Bernstein’s old pal Peter Apfelbaum join the fray. Both players were part of the Dime Grind gang.
Now they’ve reentered Sex Mob country, land of messy splendor. Bernstein, arms flailing, is a band-leading whirligig, compulsive and unhinged. His method bears some similarity to the improvisational “conduction” of avant-garde cornetist Butch Morris—but with a decidedly more attention-deficit execution. The whole thing is captivating, even when the tangle gets knotty or the signals get crossed. Bernstein’s guys push hard to keep apace with his peregrinations, and they appear almost harried at some of his shouted instructions. “Play some of that Easter shit for me!” he goads Krauss at one point, nonsensically. “Come on, represent your people!” The alto player coolly responds with a nimble multiphonic run.
The moment validates something Krauss had noted at dinner, months prior. “Sex Mob is really controlled,” he’d said. “Playing in the band, we know we’re going to get a lot of direction. We’re very focused on driving the band to where it’s going to go. But at the same time, I’ve never been in a band where I’ve felt so free, knowing that there’s still plenty of total space.”
There’s space enough during the set break, as the musicians mingle near the bar. Jesse Harris has turned up, and Bernstein razzes him: “He’s the hit-maker, right here! The one-note chorus, man! But at least my one-note chorus is in 3/4 time; it’s more complicated.” After the trumpeter turns away, Harris and Wollesen extend his riff. “All you’ve got to do is sell your soul,” the Grammy-winning songwriter Harris shrugs. “What’s your soul in eternity,” Wollesen teases, “in exchange for some money here on earth?”
It doesn’t get earthier than Sex Mob, regardless of which way the money flows. The new record practically reeks of sweat and soil. It might be a hit by jazz standards; it could easily flop. What matters is the fact that it catches the spirit, that infectious yet elusive Sex Mob vibe. If that ever fizzles out, the band will follow suit. But on this April night on the Lower East Side, there are no such signs. Having made an odd job of “Goldfinger,” they push forward into free-blowing terrain. Where it goes from there is anybody’s guess.
Listening Pleasures
Steven Bernstein:
Dizzy Gillespie Paris 1973 (bootleg)
The Wailers Marin 1972 (bootleg)
Ray Charles The Birth of Soul box set (Atlantic)
Bill Harris Live at Birdland 1952 (Baldwin Street)
Billy Preston That’s the Way God Planned It (Apple)
Harlem Hamfats (Document compilations)
The Complete H.R.S. Sessions box set (Mosaic)
Gearbox
Bernstein Natural Slider slide trumpet custom built by Dick Akright
Custom mouthpiece by Greg Black based on design by Bob DeNicola
King mellophone
Shure Green Bullet microphone
Fender Champ amp

First Date Checklist


First dates sometimes offer a range of emotion from thrilling to terrifying! Here are some tips that will help things go smoothly:

First date tips:
1: Be on time! Timeliness is expected, but being late (or too early) makes a bad impression. If you can't help being a little late, call before the expected arrival time.
2: (for men) Do a "personal check" before the date - are your fingernails clean, hair neat, clothes ironed, shoes polished, and any odors under control (including breath)? Women look at these things and are aware if they aren't in check. You should be too!
3: (for women) Don't overdo the make-up or perfume! In most cases, a little goes a long way.
4: Don't go to the movies, the theatre, or a concert on your first date - you want to be able to talk and get to know this person.
5: Don't "pull out all the stops" - keep it simple. The first date is more of an interview than an event.
6: (for men) Listen! Don't spend all your time talking about things you already know. Your goal here is to find out about your date.
7: Have something to talk about - read a newspaper or magazine of general interest. Try to find common things you both share.

8: Keep an open mind and don’t argue. You don’t have to agree with everything your date says, but where you differ, offer an alternative idea rather than discounting it, and if you don’t know something ask!
9: Remind yourself that you not nervous, you’re just excited. Calm confidence is very appealing!
10: Have fun! That’s the idea of the first date

Oprah Love Expert Reveals The 300 Cool and Creative Date Ideas That Men Are Using To Win Over The Women Of Their Dreams!

If you want 100's of inexpensive dates that cost from $5-$20 then you have found a goldmine of information. Whether you want to make a big impression to secure a second date, put your relationship back on track or just have more fun, keep reading, as this may be the most important letter you ever read…

Dear Friend,
id you know that while going out for dinner and a movie is one of the most popular dates, it is also one of the very worst dates you can go on? -- especially for couples in the early stages of dating!
Don't believe me?
Imagine this. You're sitting at a restaurant with a beautiful woman and everything seems to be going fine. But after ordering your meals, you realize you can't think of anything interesting to talk about. You try to think of something… anything!…
At that moment, your palms sweat, your heart thumps, and your mind begins to race at 100 miles an hour, as you notice her looking around the room disinterested.
You're losing her.
And after two hours filled with awkward silence and generic questions, you take her home…
…only to be struck with the cold sinking feeling that you blew your chances forever.
Still think dinner is a good idea?
Don't get me wrong, dinner can be great but it's just too hard to make a good impression over dinner.
And if you're always going on dinner dates with a long-term partner, it's likely that things are getting a little stale and you're dying to try something new.
creative date ideas
Dinner dates are a bad idea! It's just too hard to make a good impression.
Either way, you want to keep having lots of fun with a special someone and you know that going on original dates is perhaps the very best tool to accomplish that.
Some of the media Michael Webb has appeared in:
But Finding Unique and Creative Date Ideas Is The Hard Part!
Let's face it, trying to come up with cool unique date ideas is tough!
Honestly, it could take you hours searching only to come up with average ideas like: "spend the day at the beach or cook dinner at home." These ideas are 'okay' but there are much better ideas.
And that's where I come in.
You see, after realizing that people are starving for new and refreshing ways to spend time together, I decided to sit down, recall and write down all the fun-filled dates I've had with my wife Athena over the years. The result is a quality collection of date ideas from friends, family and myself.
But Why Should You Listen To Me and My Dating Ideas?
My name is Michael Webb.
And for the last 12 years I've been teaching people how to have fulfilling and successful relationships that last a lifetime through the power of romance.
In fact, because of some of my dating and romance ideas, media around the world have taken to calling me "The World's Most Romantic Man," "America's Romance Expert," "Mr. Romance," "The Martha Stewart of Romance" and other interesting monikers.
I don't necessarily agree with the titles, but I do aim to be the world's most loving husband to my wife of 17 years, Athena.
Not to mention I have been featured in media countless times.
Including every major newspaper in the United States, dozens of magazines and over 500 radio and TV shows such as Oprah, The 700 Club and Men Are From Mars / Women Are From Venus, sharing my tips and secrets with millions of viewers worldwide.
In addition, I am also a bestselling author of 11 books on love, romance and relationships.
My first book, "The Romantic's Guide" is a national bestseller. It was released in February 2000 and is already in its sixth printing.
All in all, I am regarded in the media as one of the nation's top experts on love, dating and relationship matters. So YOU KNOW you're in good hands with my date ideas.
But that's enough about me… here's what you get inside my book called…
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